New music by Hastío:


Carey Lander

Carey Lander

Carey Lander, the keyboard player and vocalist for Camera Obscura, has died from osteosarcoma – a rare type of bone cancer. Thank you Carey and Camera Obscura for all the wonderful music you created through the years.

For more information:




Here´s a good cause to support:

I Get Knocked Down (The Untold Story of Chumbawamba)

Siberia* Kaleidoscope

Siberia* Kaleidoscope

Post rock from Russia, listen here, review here.

New Shining video just out

New Shining video just out:

New Shining video just out: http://www.nocleansinging.com/2015/05/27/an-ncs-video-premiere-shining-vilja-drom/

“The sampled footage in the video is disturbing, because it’s real.”


The Tallest Man On Earth - Black Bird Is Home

The Tallest Man On Earth – Black Bird Is Home

The cover of “Dark Bird Is Home” features a photo of a woman observing an asbestos clad building. Asbestos is fire-resistant and cheap; making it an ideal building material, but it also causes cancer. The photo of this demon of the industrial age is the most dangerous thing about this album, which otherwise is about as offensive as tea and biscuits. The Tallest Man On Earth is a Swedish solo artist in the so-called singer-songwriter genre. “Dark Bird Is Home” consists of ten mellow melodies presented on piano and guitar and with The Tallest Man’s sad and pleading voice accompanying the listener throughout the album. There’s not much excitement to be found, but you will find some relaxing background music for a rainy day.

“Little nowhere towns” is the best tune on the album, a song that gets stuck in your head almost instantly. With a lonesome piano, lyrics about growing up and then a discrete choir towards the end, this song is dressed down and almost naked to the ear.

Unfortunately for an album that puts so much emphasis on the voice there is not much content to the lyrics. The song “Sagres” talks of the Portugues coastal town with the same name. It is an inspiring place, looking out towards the Atlantic right on the edge of the Eurasian landmass. Portuguese seafarers and explorers took off from here already more than 500 years ago without knowing where they would end up, even risking falling off the end of the world. I was there 12 years ago and wrote something along those lines in my notebook. The Tallest Man On Earth does the exact same thing: “We were travellers so blind, went to where the world did end”. It’s not the greatest moment on the album.

Careful not to step on anyone’s toes, The Tallest Man On Earth has released a collection of nice and pleasant songs that will excite few and offend even fewer.

Read more about asbestos here: Asbestos Exposure and Cancer Risk.

/ KEAL for The Black Dandelions.



The first four months of 2015 have offered so many good new releases that I decided I might as well put together a quarter of the year list of the albums that have interested me the most.

1. Marduk – Frontschwein

Starting from the top, Marduk’s Frontschwein is a beast of an album. Dirty, smelly and with a complete lack of compassion. There are songs here that make me feel uncomfortable, like “Afrika” which is inspired by the war between Nazi Germany and other colonial powers in northern Africa during WW2, but I suppose that’s exactly what Marduk is about – crossing the line, shitting on taboos and making you feel uncomfortable. They’re really good at that. At the moment, I’d say “Wartheland” and “Rope of regret” stand out as the most memorable songs from this album. Listen to Frontschwein here.

2. Tribulation – The Children Of The Night

This is an incredibly well put together and well-designed album on all levels, from the record label promotion strategy to the members’ makeup and, of course, the music. This album is full of good melodies and interesting songwriting with a constant haunting feeling underneath it all. Beautiful. The guitars work well together and manage to maintain my attention throughout the album. There’s something about this melodic metal that makes me think of the band Ghost and their first album “Opus Eponymous”, only “The Children Of The Night” is even better. Listen to Strange Getaways Beckon here.

3. Skenet – Allting Rullar

Far from being metal, Swedish band Skenet play instrumental folk rock inspired by traditional Scandinavian tunes and Swedish folk rock giants Kebnekajse. Don’t let that scare you off though, the album “Allting Rullar” is well worth looking into for some great melodies and cool craftsmanship on guitars, violins and drums. Trust me, had there only been some more distorted guitars on this album and heavier drumming you could almost have confused Skenet for Pelican! On a sidenote, please do yourselves a favour and check out the album “Aventure” by Kebnekajse from 2012. It’s amazing. Listen to Allting Rullar here.

4. Napalm Death – Apex Predator – Easy Meat

The weird title track is actually one of my favourite songs off this album. It’s very different to the rest of the songs but still fits in well with the rest. Taken as a whole, however, this collection of songs is of course nothing but a cesspool of madness, as you would expect. Listen to Smash a single digit here.

5. Millencollin – True Brew

I still don’t get how Foo Fighters can be so popular. “The Color And The Shape” was a good album but everything else they’ve put out is just bland radio rock. Millencollin belong to the same genre, call it skate punk or American radio rock, but they do it far better than Foo Fighters. The album “True Brew” stays true to the foundations of latter-day Millencollin, following in the footsteps of “Pennybridge Pioneers”. It’s not the most exciting album you’ll hear this year, but it’s still good rock. Listen here.

6. Stornoway – Bonxie

Final track “Love song of the beta male” is my favourite song off this album. I love the sliding bass and the lyrics as well. Stornoway will sound a little too cheesy when you hear them the first time but they’re worth getting into. Listen to a live version of Love song of the beta male here.

7. Belle & Sebastian – Girls In Peacetime Want To Dance

The first track “Nobody’s Empire” is Belle & Sebastian at their best in terms of songwriting, music as well as lyrics. This stuff makes me melt. I’m not so sure about disco tracks “The party line”, “The power of three” or “Enter Sylvia Plath” but I suppose this band has been around long enough to have the permission to experiment a little… Listen to Nobody’s Empire here.

8. Feanor Omega – Anima

I’m not fully convinced of the vocal skills of these lads, but that’s just the way it is with a lot of metal bands. Feanor Omea offer an interesting mix of melancholic post rock mixed with a healthy dose of black metal. Less of the clean harmonics though, please. Listen to one song off the album here.

9. Raised Fist – From The North

Raised Fist was one of the first metal bands I got into, after Guns N’ Roses and Metallica and around the time when I started listening to Refused, Rage Against The Machine and Sepultura. One of Raised Fist’s first EP’s was called “Stronger Than Ever”, my best friend had it on CD and we both loved it. That was in the mid-1990’s and since then, the band honestly hasn’t developed much. On “From The North” they get a little too close to rap metal for my taste and I doubt the album will last until the end of the year, but it’s entertaining enough for the time being and I’ll mention it here, if only for old times’ sake.

Listen to “Stronger Than Ever” from the time when Raised Fist was still hardcore: https://www.youtube.com/watch?v=IeacKQatimw

10. Samla Mammas Manna – Måltid (1973)

Samla Mammas Manna was a Swedish instrumental rock band in the 1970s, pivotal to the Swedish progg movement (N.B. not the same as prog rock!) and long forgotten since then. My dad used to talk about this band as I was growing up but I never paid attention until now. Lately, I’ve been listening a lot to Kebnekajse, who returned together and started recording again in later years after nearly 30 years of silence. Samla Mammas Manna belonged to the same movement in the 1970s so it only felt natural to check them out also. I’m very glad I did. “Klossa Knapitatet” from 1974 is also an interesting album but “Måltid” from 1973 is Samla Mammas Manna at their very best in my opinion. Fans of instrumental post rock and experimental rock in general should not miss out on this!!! The full album can be enjoyed here.

And finally, to finish it all off here’s a new track of my own: The Great Pacific Garbage Patch

/KEAL for The Black Dandelions.


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